portrait

Feature Friday: Johanna Wilbraham

Happy Feature Friday!

Today’s feature is probably unlike anything you’ve ever seen before! We were truly astounded when we saw the incredible portraits by Johanna Wilbraham, and found out she creates these huge masterpieces by using jars to pour diluted oil paint straight onto the canvas! It’s amazing how something so unplanned and unpredictable can produce such beautiful results! Each portrait she does tells it’s own story and we love how she shows vulnerability and real women throughout her work. To learn a little more about the meaning behind her portraits, as well as her creative process, keep reading!

: Tell us a little about yourself.

: I am a British Artist who has lived in Australia for the last 6 years with my Aussie husband. I currently live in Melbourne where I have a little studio for some very large artworks. I work part time in an Art Gallery alongside my own creative practice. I’m obsessed with painting faces, hanging eclectic figurative artworks around my house in gaudy gold frames, playful folky illustrations and music, candles that smell like cookies, floral dresses, and my dog Fox.

: We love your portraits! How would you describe your current work?

: Thank you! This year I have been challenging myself to paint on a smaller scale than usual. I’m used to working on very large canvases, and it’s quite liberating for me to be working on small 40 x 40 cm boards right now. It also enables me to paint quicker and experiment more. With my technique there is a lot of drying time in between layers, so working small allows me to get the most of my little studio. I can’t quite get away from large works though, so always have a few of these on the go too. I would describe my current work as a group of colourful, expressive and quirky portraits of women in my life. The faces tend to have a sadness and vulnerability to them which is deliberately contrasted with bright, bold colour pairings and the use of flat pattern work.

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Feature Friday: Nat Guinamard

Happy Feature Friday!

Today we’re featuring the work of Nat Guinamard and we think you’re going to love her incredibly expressive illustrations! Nat was kind enough to share some details on her Drawing a Day Challenge, her artistic background, and her knack for drawing faces. She also answered some of our questions too! So keep reading to learn more about her work and creative journey.

 

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Feature Friday: Artist Sian Storey

Happy Feature Friday!

1. My photoThis week we’re featuring artist Sian Storey! Her creative journey is so exciting to follow and she has gained the attention of some major media outlets. We admire the fact that she is always seeking new experiences and ways to grow in her work. It reminds us of the Julia Child’s quote which says, “Find something you’re passionate about and stay tremendously interested in it.” It’s evident that Sian is living that out every day.

Castle Logo: Tell us about yourself and how Sian Storey Art got started.

static1.squarespace: Hello! I’m an artist and art teacher in Hampshire, England. Painting is my passion, and I have a First Class Honours degree in Fine Art. As you’ll discover throughout this interview, I’m a versatile and hungry artist, always looking for fresh ways to evolve my art, and interesting new projects to be involved in.

How did I get started? Let’s see… my earliest art memory is painting my Grandad’s gnomes in his garden back in the 1980’s. My Nan still has them 25 years on. So art has always been a big part of my life and was massively encouraged by my friends and family. It’s what I love, and something I will always do.

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Castle Logo: You mainly focus on people and birds. What made you decide to stick to these two subject matters?

static1.squarespace: I work from found images, and am particularly drawn to colour, pattern and beautiful pictures. I keep scrapbooks of images that I have collected and reference them in my paintings. I also love to travel, and this feeds into my work. Last summer I visited Japan, and have been referencing it in a lot of my work ever since.

The people-based images I choose are often black and white allowing me to explore my own colour schemes. I like the image to feel emotionally charged, like the person depicted has a story to tell. Sometimes it’s my story, or just the way I’m feeling.

I use birds in my work as they are also associated with literature and narrative, and they have many cultural references. I love creating movement in my bird paintings choosing colour to evoke mood, and texture to convey beauty.

And sometimes, I combine both birds and people.

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